Tag Archives: queer sf

SWORD AND STAR – preorder and excerpt!

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Been spreading the word just about everywhere else and neglecting my actual website as usual, but here: SWORD AND STAR, the final book in the Root Code trilogy, is available for preorder.

And will be out on the 23rd, so that is soon.

If you preorder, you get 20% off the retail print price, and 30% off if you order print and ebook together. So that’s a pretty sweet deal. You can also read an excerpt at the link above, and I’ll be posting more goodies here coming up. Watch for stuff, including a blog tour, which will feature me throwing free things at you. Throwing them really damn hard.

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This has been a very long time coming, guys. Amazing to finally be done.

Sword and Star cover reveal!

As usual I’m behind getting something here on the actual blog, but the cover for Sword and Star, the final book in the Root Code trilogy, is now out there in the wild (kinda already included it in my Award Eligibility post). Soak in its pretty:

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It’s also up for pre-order. Release date is December 21st, so it will be available for presenting to yourself or loved ones or just anyone you feel like slinging a Big Gay Space Opera at.

Personally I think that’s a nice thing to do in just about every case.

 

Very late blog post roundup

My blog tour in support of my latest book release – Fall and Rising – has concluded (a while ago, d’oh) and I thought I’d real quick do a thing on the posts I wrote for it, because I’m pleased with them and you may be interested.FallAndRising_500x750

Fall and Rising didn’t have the easiest path to publication (and I’m very, very grateful to Riptide for giving it a chance). Its precursor, Line and Orbit, was purposefully left open for a sequel, though I and my then-coauthor weren’t completely certain there would be one. But we eventually decided to try to write one. We ran into trouble when she needed to spend more time with her dissertation (she’s since graduated with her PhD, which is so awesome), so I ended up taking the project on alone. The initial draft of the book took a few months to write and I was reasonably happy with it, but once it was finished it struggled to find a home. It wasn’t quite right for the publisher of Line and Orbit, so I had to take it back and stare at it and poke it for a while, and consider what my next move should be.

And the decision I came to – and it was not in any way an easy one – was that it didn’t work.

Here’s a thing about Writer Brain that’s kind of fun and interesting (and in fact this is true of almost all brains): it’s plastic. You can train it; you can subtly alter the way it functions. Habits form themselves, but they can also be formed. Sit down to write every day, and after a while writing every day gets easier. Your brain gets used to the idea that this task is going to be regularly expected of it, and it adapts. Start with minimum target word counts, and you may find that over time those word counts increase as you’re able to write more words, faster. It doesn’t work for everybody, but it has worked for me and it may work for you as well.

I knew these places, these people, this history and this lore, but I didn’t walk back in with any particular ease. It took me some time to settle and feel comfortable again. I had to get reacquainted with the layout. I had to have conferences with some characters. So what’s up with you right now? What’re you doing? What’s your goal here, what are you hoping to get out of this?

I came out of fandom, as a writer. Fanfiction was what taught me to write (I still write it), and fandom was my first literary community. It’s literally why I’m writing this now. Among other things, a lot of my first fic was slash – fic focused on the development of queer relationships. I discovered that it was possible to write these kinds of stories through my first encounters with slash, and it was a revelation. I quickly picked up the fact that for people outside fandom, fanfiction was often disparaged and made the butt of jokes – along with the people who wrote it – and this was especially true of slash fic. I think there are a lot of reasons for this, but I think some of it – maybe most of it – is because we aren’t supposed to be telling these stories, and these stories don’t matter. They’re silly. They’re worthless. They’re also inherently poorly done.

I knew that wasn’t true. It irked me. So very early on, before I had the language to articulate what was happening, I came to see this kind of writing as resistance. Not only as resistance, but as a way of taking existing stories and making them queer. Almost a way of remaking the world.

Because stories matter.

[W]hat helped me wasn’t taking a step back so much as thinking back, to the book that preceded it and to the process of getting to know the world and its inhabitants, and trying to remember why I fell in love with it all in the first place. Why I wanted to spend time with these people, and why it felt like a story worth telling.

Because generally you don’t get through writing an entire book that you then feel is good enough to publish without loving the world in which you’re working.

LABYRINTHIAN STUFF (omg)

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I’ve been completely neglecting this book because a lot of other projects have been heating up – some of them super-secret as yet but I can’t wait to talk about them so STAY TUNED – but there’s news about my big gay mythic-SF novel: IT IS NOW UP FOR PREORDER ON SAMHAIN’S SITE.

And here’s the other thing that’s really cool about that.

When Line and Orbit was released, there was a year’s gap between the ebook and the paperback. As of the new year, Samhain is no longer doing that, so you’ll be able to buy the trade paperback at the same time as the ebook.

Which is good because I know a lot of people still prefer print. SO YOU CAN GET THAT.

Big gay mythic-SF novels make excellent last-minute seasonal presents. Just sayin’.

LABYRINTHIAN: Ten things to know about it

14794919024_73b09979e4_cWelcome to September, everyone. I’m pretty much entirely losing my cool over the last few thousand (PLEASE ONLY A FEW THOUSAND, I CAN’T TAKE MUCH MORE OF THIS OH GOD) words of Rookwar, so let’s take a break from that and from my broken sobbing on Twitter and instead look forward to January, which will bring Labyrinthian.

I’ve already talked about it a little, just in terms of its outline and general elements, and I’ve posted the first chapter here, but there’s obviously more to it, and I figure a little bit of a FAQ probably wouldn’t be out of line. So here it is.

  1. It’s a queer retelling of the myth of Theseus and the Minotaur in spaaaaaaaaaace. Because why the hell not. Myths are cool, space is cool, queer fiction is cool, stick ’em all in a blender and hit puree.
  2. I had the idea years ago. Actually right around the time Lisa and I finished up Line and Orbit, I think. It was only the vaguest of concepts – myth in space, dudes kissing – but it grabbed me. The timing wasn’t right, however, so it got shelved until this past fall, when it grabbed me with a vengeance. I had just finished a couple of very, very difficult novels and I wanted to do something fun. Then things got a little out of hand and:
  3. I wrote the first draft in less than a month. That’s not to brag – okay, maybe a little to brag – but to indicate how hard this idea took hold of my brain. For a while it was actually very difficult to stop working on it. The resulting draft was quite complete and not a whole lot has substantially changed between it and the final product, but I don’t think I’ll write a book at that speed again. In retrospect it was pretty draining. Like more than usual.
  4. It’s set in the Line and Orbit universe. I didn’t actually intend it to be when I first had the idea, but that ‘verse has a way of pulling me back into itself, and once I started actually teasing out some details, it seemed like a natural fit just in terms of the feel of the thing. It’s a somewhat goofy space adventure-type deal with a more serious underside, which is pretty much exactly what Line and Orbit was.
  5. It does not feature any of the same characters as Line and Orbit, nor is it a sequel. It does, however, take place somewhat concurrently with the end of Line and Orbit and the beginning of its vaporware sequel Fall and Rising. So reading L&O first, while not at all necessary, will add some depth to some aspects of the worldbuilding. If you care about that kind of thing also buy my books.
  6. It takes place on the frontier of human-explored space. Unlike most of the locations in Line and Orbit, in Labyrinthian the Terran Protectorate has a very limited presence – more symbolic than anything – and the part of space in which the book happens is somewhat chaotic. The humans there are either essentially nomadic or confined to small colonies. There’s no central authority, and nothing much in the way of law or policing. Bounty hunters and mercenaries like Theseus fill the gap in that they provide an incentive for people to deal fairly with one another – step out of line or screw someone in a deal and you can expect a hunter to come after you – and the hunters maintain a loose, unofficial guild that also keeps a kind of order. That context of chaos was a lot of fun to write within, because it allowed for a background of political dynamics that’s very different from what we did in Line and Orbit.
  7. It’s totally romance, but the romantic plotline is not the only one or even the central one. Theseus and Taur’s weird, uncomfortable journey toward each other coincides with another much more dangerous journey, and the fundamental story is how those two journeys intertwine and give each other meaning.
  8. It’s got a lot of sex. Very explicit sex. It’s the most smut-heavy thing I’ve written that isn’t actually erotica. If that’s not your thing, I think you can skip those scenes for the most part and still have no trouble getting into the larger plot. There’s a lot of character building in my porn, though, so it’s not just there for the sake of porn.
  9. It’s quite violent. Again, be aware. It’s a good bit more violent than Line and Orbit was, though the body count is lower. There’s a fair amount of gore.
  10. But it’s fun. Or that’s my opinion. Writing it, it had a very Firefly feel to me, so if you like that kind of SF I’d imagine you’d enjoy this. Hope so, anyway.

Not sure when it’ll go up for pre-sale, but you can add it to your Goodreads shelves here. And of course I’ll be giving stuff away. Yay stuff.

LABYRINTHIAN cover art. At last.

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Why yes, that does look more than a little bit like Sufjan Stevens. Let’s all take a second to enjoy that.

Here, this might help.

Sisyphus “Take Me” (NSFW) from Ryan Dickie on Vimeo.

Expect a lot more yelling and flailing soon.

I got an early Christmas present

Yesterday I received an unexpected package.

BcMg46DIEAAAsBE.jpg largeYes, that is what it looks like. I didn’t honestly expect to get my contributor copies until mid-January at the earliest, so this is fantastic. Just in time for gifting.

In a couple of weeks I’ll be giving away one of these babies, signed. Stay tuned.