Tag Archives: labyrinthian

LABYRINTHIAN giveaway – ebook and trade paperback!

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OKAY SO

I love giving shit away. Let’s give some shit away

Between now and February 10, you can enter to win one of three copies of the Labyrinthian trade paperback over here. WHICH IS AWESOME

BUT I’M NOT DONE

Between now and February 10 you can ALSO enter to win one of three copies of the ebook in your choice of format right HERE:

And of course I won’t spam you unless you want me to and even then it’ll just be pictures of my cats. And if I sell your info to anyone else it’ll just be my cats, and they won’t do anything with it because they’re cats.

FREE BOOKS YAY

LABYRINTHIAN: here is a FAQ

I HAVE A BOOK COMING OUT ON THE 20TH

14794919024_73b09979e4_cI haven’t been talking about it as much as I would prefer for reasons of workload, but I figure it might be good to post some info on it given that it’s like ten days away. It’s a book I’m really proud of. There are some things you may wish to know about it, so here are some answers to some questions you may have. You’re welcome.

  1. Q: What the hell is it? A: It’s a book. It’s a book about mythic science fiction and spaceships and bounty hunters and shooting and more spaceships and genetically engineered supersoldiers with anxiety about social situations and family-related angst and the bounty hunter who might eventually figure out how he feels about him. It’s about facing death gracefully and the long journey toward self-acceptance. It’s about faith and confronting the loss of it. It’s about learning to love someone. There are more spaceships also. And dudes making out.
  2. Q: When is it out? A: I told you. The 20th. Pay attention.
  3. Q: Okay, don’t get snippy. What formats? A: Ebook in all the flavors of the rainbow and trade paperback both.
  4. Q: Can I preorder it? A: FUNNY YOU SHOULD ASK also if you do you get a nifty discount
  5. Q: Are you going to be giving away any copies? A: Yep! Two copies of the paperback via Goodreads, starting tomorrow. Concurrently I’ll be giving away three copies of the ebook via my site. I’ll post the link when it’s up.
  6. Q: How long did it take you to write it? A: A month. It was extraordinarily fast for me. Ironically I started it in mid-October and finished in the middle of November so it would have counted as winning NaNoWriMo if I had just timed it right.
  7. Q: Is it good? A: I like to think so.
  8. Q: Is there sex in it? A: Quite a lot.
  9. Q: Is there plot? A: Quite a lot.
  10. Q: Are there feelings? A: A tremendous amount.
  11. Q: Is it actually romance? A: I’d say absolutely so, though it’s romance with the SFnal parts equally important and deeply interwoven. It does not work at all without the science fiction. I hate genre finickiness but if that’s a thing you wonder about there’s the answer.
  12. Q: I notice it’s in the same universe as this other Line and Orbit book. Do I need to read that too in order to get what’s going on? A: Nope. This is fully a standalone. That said, reading Line and Orbit will give you a heftier dose of worldbuilding and probably allow you to get a little more out of it. Also I like when people buy my books. Buy my books.
  13. Q: I love you and I want you to have money. Where will buying it give you the most money? A: Buying it anywhere at all is awesome but if you want me to have slightly more money buy directly from Samhain. I get a higher royalty rate there.
  14. Q: Will you sign my copy? A: If you track me down in meatspace, sure.
  15. Q: Will you be my friend? A: I will be your bestest best friend.

I think I’ve covered everything. But shoot me a line if I haven’t addressed your question here.

LABYRINTHIAN STUFF (omg)

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I’ve been completely neglecting this book because a lot of other projects have been heating up – some of them super-secret as yet but I can’t wait to talk about them so STAY TUNED – but there’s news about my big gay mythic-SF novel: IT IS NOW UP FOR PREORDER ON SAMHAIN’S SITE.

And here’s the other thing that’s really cool about that.

When Line and Orbit was released, there was a year’s gap between the ebook and the paperback. As of the new year, Samhain is no longer doing that, so you’ll be able to buy the trade paperback at the same time as the ebook.

Which is good because I know a lot of people still prefer print. SO YOU CAN GET THAT.

Big gay mythic-SF novels make excellent last-minute seasonal presents. Just sayin’.

LABYRINTHIAN: Ten things to know about it

14794919024_73b09979e4_cWelcome to September, everyone. I’m pretty much entirely losing my cool over the last few thousand (PLEASE ONLY A FEW THOUSAND, I CAN’T TAKE MUCH MORE OF THIS OH GOD) words of Rookwar, so let’s take a break from that and from my broken sobbing on Twitter and instead look forward to January, which will bring Labyrinthian.

I’ve already talked about it a little, just in terms of its outline and general elements, and I’ve posted the first chapter here, but there’s obviously more to it, and I figure a little bit of a FAQ probably wouldn’t be out of line. So here it is.

  1. It’s a queer retelling of the myth of Theseus and the Minotaur in spaaaaaaaaaace. Because why the hell not. Myths are cool, space is cool, queer fiction is cool, stick ’em all in a blender and hit puree.
  2. I had the idea years ago. Actually right around the time Lisa and I finished up Line and Orbit, I think. It was only the vaguest of concepts – myth in space, dudes kissing – but it grabbed me. The timing wasn’t right, however, so it got shelved until this past fall, when it grabbed me with a vengeance. I had just finished a couple of very, very difficult novels and I wanted to do something fun. Then things got a little out of hand and:
  3. I wrote the first draft in less than a month. That’s not to brag – okay, maybe a little to brag – but to indicate how hard this idea took hold of my brain. For a while it was actually very difficult to stop working on it. The resulting draft was quite complete and not a whole lot has substantially changed between it and the final product, but I don’t think I’ll write a book at that speed again. In retrospect it was pretty draining. Like more than usual.
  4. It’s set in the Line and Orbit universe. I didn’t actually intend it to be when I first had the idea, but that ‘verse has a way of pulling me back into itself, and once I started actually teasing out some details, it seemed like a natural fit just in terms of the feel of the thing. It’s a somewhat goofy space adventure-type deal with a more serious underside, which is pretty much exactly what Line and Orbit was.
  5. It does not feature any of the same characters as Line and Orbit, nor is it a sequel. It does, however, take place somewhat concurrently with the end of Line and Orbit and the beginning of its vaporware sequel Fall and Rising. So reading L&O first, while not at all necessary, will add some depth to some aspects of the worldbuilding. If you care about that kind of thing also buy my books.
  6. It takes place on the frontier of human-explored space. Unlike most of the locations in Line and Orbit, in Labyrinthian the Terran Protectorate has a very limited presence – more symbolic than anything – and the part of space in which the book happens is somewhat chaotic. The humans there are either essentially nomadic or confined to small colonies. There’s no central authority, and nothing much in the way of law or policing. Bounty hunters and mercenaries like Theseus fill the gap in that they provide an incentive for people to deal fairly with one another – step out of line or screw someone in a deal and you can expect a hunter to come after you – and the hunters maintain a loose, unofficial guild that also keeps a kind of order. That context of chaos was a lot of fun to write within, because it allowed for a background of political dynamics that’s very different from what we did in Line and Orbit.
  7. It’s totally romance, but the romantic plotline is not the only one or even the central one. Theseus and Taur’s weird, uncomfortable journey toward each other coincides with another much more dangerous journey, and the fundamental story is how those two journeys intertwine and give each other meaning.
  8. It’s got a lot of sex. Very explicit sex. It’s the most smut-heavy thing I’ve written that isn’t actually erotica. If that’s not your thing, I think you can skip those scenes for the most part and still have no trouble getting into the larger plot. There’s a lot of character building in my porn, though, so it’s not just there for the sake of porn.
  9. It’s quite violent. Again, be aware. It’s a good bit more violent than Line and Orbit was, though the body count is lower. There’s a fair amount of gore.
  10. But it’s fun. Or that’s my opinion. Writing it, it had a very Firefly feel to me, so if you like that kind of SF I’d imagine you’d enjoy this. Hope so, anyway.

Not sure when it’ll go up for pre-sale, but you can add it to your Goodreads shelves here. And of course I’ll be giving stuff away. Yay stuff.

LABYRINTHIAN: first look!

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I wasn’t going to launch into promo for this book until September, but whatever, it’s almost September, and I want to. So here’s the first chapter of Labyrinthian, which – recap – is coming out in January from Samhain Publishing. It’s a (very, very loose) retelling of the myth of Theseus and the Minotaur IN SPACE, and it’s set in the Line and Orbit universe, though it doesn’t feature any of the characters from that book and it stands totally on its own. It takes place shortly after the events of Line and Orbit, and if the L&O sequel ever actually gets a release, one should assume that it’s happening concurrent with that.

Here’s the blurb:

A hunter should never fall for his prey.
A hunter’s heart should never fall prey to his quarry.

Still nursing his latest post-mission hangover, bounty hunter Theseus jumps at a high-paying, high-risk job that sounds ridiculously easy. Yet from the moment he nabs the alleged supersoldier with sedative gas, nothing is as it seems.

On the run from the facility where he was created and raised, Taur is desperate to locate his genetically engineered brothers and sisters. To rescue them—and himself—from slavery. Waking aboard Theseus’ ship, his fury is tempered by curiosity about his captor. Despite his doubts about his prisoner, Theseus figures it’d be risky to let Taur go—until they’re thrown together by a shared betrayal. They declare a tentative truce as they flee from a shadowy and immensely powerful organization that will stop at nothing to find them.

But as they wrestle with their growing feelings for each other, Taur and Theseus face an even greater danger. A lethal threat lurking inside Taur’s own body, waiting to explode…

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So here’s the first chapter, which introduces Taur and reveals the fact that he’s not having a very good day, or week, or life.

(Warning: this actually gets pretty violent at one point)

Continue reading

LABYRINTHIAN cover art. At last.

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Why yes, that does look more than a little bit like Sufjan Stevens. Let’s all take a second to enjoy that.

Here, this might help.

Sisyphus “Take Me” (NSFW) from Ryan Dickie on Vimeo.

Expect a lot more yelling and flailing soon.

LABYRINTHIAN score, part the first

As I’m going through the edits for Labyrinthian and reacquainting myself with the sense of it as a story, it strikes me again that it feels very cinematic as I write it. And I know I’m not the only one who does the fitting-of-movie-scores to my stuff. So here, as part of my process, is one of the pieces that feels like it would fit in perfectly with this particular book. Maybe even as the main/opening theme. The vaguely ticking sound goes very well with the fact that one of my main characters is dealing with a major and potentially lethal time crunch.

I mean, BT is just amazing in general. Probably gonna post more of him.

On writing (cisgender male) gay romance and Strong Female Characters

image by Jason Chan

image by Jason Chan

I just got the novel edits for Labyrinthian (my tropey gay retelling of the myth of Theseus and the Minotaur IN SPAAAAACE), which is a tad overwhelming – there is much work to be done, though most of it is cosmetic – but also exciting, because I love this book and I’m looking forward to getting it in tip-top shape for its release this coming January. My editor is a lovely person and graciously takes the time to make sure I know what she really likes – which always feels good – and she mentioned that she appreciated how many of the women in Labyrinthian are in positions of power and protection. That was very conscious on my part, because I try very hard to make my stuff rich in terms of diversity and positive representation, but it reminded me of a dilemma I ran into more than once while I was writing the book itself. It’s an interesting one, and it’s one I’ve had to deal with before. I suppose a lot of people who write this kind of gay romance have done so.

My two protagonists/kissy-face participants, Taur and Theseus, are cisgender men. The story is – at least in significant part – the story of their relationship, so they’re both very much the center of the book, and they are the only POV characters. Which means that Labyrinthian, simply by virtue of what it’s about, is going to be very male-focused. Which isn’t necessarily a bad thing all of the time, but looking at the structure of my book and the characters in it, I realized that – given how much I care about making my SF diverse and also feminist – I needed to make sure they weren’t the only ones getting significant screen-time, and that they weren’t the only characters with depth.

So I made a lot of my other characters women. Most of my other major secondary characters are women. Phae, Theseus’s ex, is a queer woman of color. And yes, these women are physically strong, self-reliant, smart, competent, sexually independent. Yet all of those things have been used by writers to argue for their work being feminist, leading to the trope of the Strong Female Character.

And the problem with the Strong Female Character is that she’s a cardboard cut-out. She’s there to do a thing, not be a person with all the strengths and weaknessness and complexities that a person has. She might be able to beat you up, but odds are she won’t hold your interest. And in her way, she’s just as sexist a construct as the fainting flower who exists purely to be rescued by the dudely hero. She’s still there to be a Female Character, not a character who’s female.

What makes a strong character? It’s not physical strength. It’s not even necessarily attractive attributes. Consider, oh, 90% of the characters in A Song of Ice and Fire – most of them are at least sort of terrible people who have done many terrible things, and they lie and cheat and stab each other in the back, and some of them are outright cowards, but a lot of them are interesting. They’re strong characters because – at their best – they feel real.

An actual strong female character is real. I’ve seen it reframed as “strong character, female” and I like that a lot.

So I was putting the women in Labyrinthian in important, powerful positions, because I wanted them front and center as much as possible. But I knew that wasn’t going to be enough. I had to make Phae interesting, and I had to do it on her own terms. And I had to pack as much character development for her as I could into a story where she’s not the focus. I had to do the same for the others who show up, some of whom aren’t there for long. I had to at least try. I owed it to them, and I owed it to myself.

I’m not sure if I was entirely successful – I think I did all right, but I’ve learned that readers are very often better judges of that than authors are – but I hope I did. I love the women in Labyrinthian just as much as I love Taur and Theseus, and I hope that love comes through. I hope you enjoy them, even the ones you only meet briefly. I know they’re looking forward to meeting you.

Book news (spoiler alert: there will be one)

I’ve been wanting to share this news officially for a few days, and now I can: my queer science fiction romance novel Labyrinthian, which some of you may recall me talking about before, is going to be released (probably) in December actually now it looks like later in January by Samhain Publishing.

Yay.

A little bit about it, for those just joining us: A few years ago I got it into my head that it might be fun to write about the myth of Theseus and the Minotaur, only in the distant future in space. It seemed like a cool idea, but I wasn’t equipped to do anything with it at the time, so it went on the back-burner. Years later, I found myself with some downtime between writing the sequel to Crowflight and rewriting the sequel to Line and Orbit, and I wanted to do something lighter and more fun than I had up to that point.

So I reached back into my dusty idea filing cabinets and pulled that one out. Less than two months later, it was a complete book draft.

(One of the morals of this story, by the way, is try to never completely abandon an idea. If you can’t make it work at one point in time, that doesn’t mean it won’t work at some other point. A good idea now will probably still be a good idea five years from now. )

So what’s Labyrinthian? Per above, it’s an SFnal retelling of Theseus and the Minotaur, where the Minotaur is a genetically engineered supersoldier on the run from his creators and Theseus is the bounty hunter hired to capture him. Predictably, everything goes sideways, and running and shooting and makeouts ensue. Along the way they pick up Theseus’s ex-girlfriend Phae, who doesn’t think all that much of Theseus but has a weakness for hard luck stories and is good with a gun.

It’s set in the same universe as Line and Orbit, concurrent to the few weeks between that book and its sequel. The characters are not the same, and it takes place on the galactic frontier, so the actual setting is also quite different in some ways. The content itself is also different: it’s much more of a straight-up (haha) romance-adventure than Line and Orbit was, and it’s much less epic. Like I said, I wanted to have fun and do some lighter fare, so for the most part that’s what it is. That said, there are some deeper themes – guilt, self-acceptance, and the power of family being a few.

I think it’s a fun book. If you pick it up, I hope you enjoy.

Watch for more news as more news occurs.