Tag Archives: award season

here are my stories what are award-eligible

If you care; I always feel weird about making these, but here we go.

I had a pretty good year, short-story wise. Had a pretty good year novel-wise, in swordandstar_1200x1800hrthat I had one come out – the (VERY LONG AWAITED, AT LEAST BY ME) follow-up to my debut Line and Orbit, Fall and Rising. Publisher’s Weekly called it “a satisfying and provocative hybrid”, and said the relationships were “honest and engaging”, which is very nice.

There’s also the final book in the trilogy, Sword and Star, coming December 21 (and available now for presale) – juuuuuuust in time for Christmas.

In short storydom:

  • “Love Letters to Things Lost and Gained” in Uncanny Magazine kicked things off for me this year. Story about a woman who finds herself fitted with a prosthetic limb after an accident, and the limb doesn’t fit well – psychologically and emotionally, not physically. I wanted to write a story about human relationship with intimate forms of technology, and where the line between “real” and “artifical” lies, as well as the value judgments we make when we draw those distinctions.
  • “A Shadow on the Sky” in Mythic Delirium. This is in many ways yet another installment in what’s becoming a series of what I’ll call “drone fiction” on my part – explorations of the relationship between humans and unmanned aeriel vehicles. A woman suffers tragedy when her home is destroyed and becomes a kind of goddess of vengeance, capturing enemy combat drones and making them into an army of which she’s the queen. Some people make a pilgrimage into the desert to find her and hijinks ensue. Bad, dark hijinks.
  • “Come My Love and I’ll Tell You a Tale” in Shimmer. Probably one of the most relentlessly dark things I’ve ever written (a huge amount of what I write at present is very dark, in fact). A slow-burn and somewhat chaotic second-person narrative set in an unspecified post-disaster world, desperately yearning for the world that was while being forced to confront the world that is and the unimaginably terrible thing the character is contemplating doing in order to survive.
  • “eyes I dare not meet in dreams” in Cyborgology. This one… Guys, this one is weird, and I’m not talking about the story itself – though it is also weird. Cyborgology is not a traditional short story market at all; it’s a group sociology blog run by some friends of mine to which I sometimes contribute. It does do fiction, and I wrote this in a fit of annoyance about the treatment of female characters in fiction and posted it. And it took off a bit on Twitter. I’m immensely proud of it, and in fact I think it’s my favorite thing I published this year, as well as the best. Given its publication place and circumstances, however, I’m a bit nervous about it being overlooked. So if you read and like it, please please spread the word about it. Normally I really get uncomfy with overt campaigning, but I think it might be warranted in this case.
  • “It is Healing, it is Never Whole” in Apex Magazine. Written after a family member committed suicide, and I think part of an attempt to process. In a strange and vaguely industrial afterlife, spirits collect the souls of suicides and transfer them to a train that takes them on to points unknown. But one worker finds a soul that connects with them on an entirely new level, and wonders what it all means.
  • And finally: “Dispatches from a Hole in the World” in the Queers Destory Horror! edition of Nightmare. This is the other story I’m most in love with, and it rivals “eyes I dare not” in terms of my Nightmare_37_October_2015estimation of quality. I think it might be one of the best things I ever wrote, in fact. It’s certainly incredibly personal. It’s about graduate school, mental illness, connection and disconnection, technology, and hope battling hopelessness. It’s incredibly dark, and very triggery for anyone who has issues with graphic depictions of suicide. Really it’s kind of a snapshot of a particular mental state. A graduate student finds themselves being consumed by their dissertation in ways that go far beyond the norm, as they immerse themselves in the history of a year of an epidemic of documented suicides – a year they lived through.

So yeah. Them’s my stuff. If you read, if you consider for any awards, if you just like the damn things, thanking you kindly. Again, I think this was a pretty good year in this respect. A hugely difficult one, but good. Hope the next one is also good sans at least some of the difficulty.

Here be my 2014 awards post, yarr

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2014 was a decently productive year for me, publication-wise. It was also a year full of awkward, jerky stops and starts and a bunch of things ended up being way bigger and way more exhausting than I thought they would (and the year isn’t over yet), but overall I’m pleased with things. I’ll be doing a year round-up post around New Year’s, but for now here are the things by me that are award-eligible this year. Most of them are free to read online. If you’re reading for awards and you want copies of any of the stuff that isn’t, feel free to get in touch with me and I’ll shoot it your way.

Short stories

  • “So Sharp That Blood Must Flow” – Lightspeed – February 2014. I’ve been referring to this as my Misandrist Little Mermaid story, and so it is. It’s a violent, vengeful take on the fairy tale, and it was somewhat cathartic to write. I would actually consider it horror more than fantasy. I’m very proud of how uninterested it is in taking any prisoners.
  • “To Increase His Wondrous Greatnesse More” – Apex Magazine – March 2014. In some ways this can be read as a companion piece to the above. It’s not necessarily a take on any one fairy tale as it is an attack on tropes common to many of them. A maiden, a dragon, and a queer meditation on storytelling and the monstrous feminine.
  • “Across the Seam” – Long Hidden: Speculative Fiction from the Margins of History. An extremely personal story about Baba Yaga, a Slavic immigrant coal miner who’s also trans, and a massacre that ended a miner’s strike in Lattimer, Pennsylvania. You can read more about it here.
  • “Cold as the Moon” – Strange Horizons – August 2014. Got a “recommended” from Lois Tilton at Locus. This one came from the image of the very first line and became a story about neglectful/abusive parents and children who have to grow up far too early. It’s an angry story. A lot of the stuff I published this year was angry, actually.
  • “Singing With All My Skin and Bone” – Nightmare – September 2014. If there’s a single story I’m most proud of in 2014, this is it. It’s by far the most personal thing I’ve ever written. It’s basically autobiography with a speculative veil. Writing it was an incredibly raw, visceral experience – appropriately so, given the subject matter. Which, speaking of, you should be aware of if you have any self-injury triggers.
  • “What Glistens Back” – Lightspeed – November 2014. This is the other one I’m most proud of. I’ve taken to saying that it’s a first contact story and a last contact story; it’s about discovery but it’s also about saying goodbye to a loved one in the moments before death. Apparently it made a bunch of people cry. Good.

Novels

So that’s it. If you’re reading for awards, I hugely appreciate you giving them a look. If you’re not, hey, give ’em a look anyway. I mean, I think they’re all right.