As I was yelling about on various social media outlets yesterday, Crowflight – Book I of Casting the Bones – has been released and is now available to spend your hard-earned dollars on.
Goodreads link is here, if you’re so inclined.
It’s been almost exactly a year from completion of the first draft to release of the final; I wrote the book in October of 2012, as I was coming off one of the hardest semesters and summers of my graduate career. I’d taken and passed my comprehensive exams, I’d had a bit of a mental breakdown as a result, and I was retreating into writing in order to help heal myself. In many ways I’m still there. As I told Elise Tobler in the interview she did with me, a lot of what Turn goes through in Crowflight came out of those feelings of anxiety and uncertainty: having one vision for your future and having that vision entirely upended by events mostly beyond your control. Turn is a reluctant hero; she accepts her role but she never entirely embraces it. She doesn’t want the responsibility of saving an entire world on her shoulders. She’s not a coward; she’s just tired and hurting.
But we don’t always get to make those choices.
In the next couple of weeks I’m going to be offering a chance to win a copy of the book, and there will also be some assorted goodies. For today, allow me to offer, for free, the first chapter. If you like it, maybe you’ll check out the rest.
Basically what the post subject line says: We See a Different Frontier, the anthology of post-colonial SF that I’m lucky enough to be a part of, is now available in ebook and paperback formats.
So far the book has gotten great buzz from critics. Publisher’s Weekly (which calls my story “haunting”):
Fernandes and al-Ayad, editors of webzine The Future Fire, have compiled an innovative and trenchant anthology of 16 postcolonial speculative fiction stories…all the stories, as Aliette de Bodard says in the incisive preface, center on the voices “of those whom others would make into aliens and blithely ignore or conquer or enlighten.” This is not just an interesting and entertaining collection, but also a necessary, convincing critique of the colonialist tropes that mark many of speculative fiction’s genre conventions.
Locus (which gave my story a “Recommended”):
[T]he anthology does not simply present a series of dreary, bitter polemics. There’s variety here, and quite a few of the stories are entertaining, a lot of fun – particularly for readers who enjoy revenge tales. There is also anger and tragedy, and looks back into history that may open the eyes of some Western readers.
It really is an awesome anthology. I also agree with PW that it’s a necessary one, especially given the conversations that are going on in the SFnal world right now. Check it out.
And an excerpt of my story “A Heap of Broken Images” is under the cut.
Posted in Book launch, Excerpt, Fantasy, Reviews, Science fiction
Tagged alternate history, anthology, excerpt, fantasy, postcolonial sf, science fiction, short stories, sociological sf, we see a different frontier
HERE IT IS
I want to stress that the series name is just a placeholder; we’re still flailing around trying to find something that works. But yeah, I’m pleased.
[ETA] Now with actual series title!
Shimmer #17 ToC, out this summer:
“The Mostly True Story of Assman & Foxy” – Katherine Sparrow
“How Bunny Came to Be” – A.C. Wise
“The Moon Bears” – Sarah Brooks
“Sincerely, Your Psychic” – Helena Bell
“Out They Come” – Alex Dally MacFarlane
“Love in the Time of Vivisection” – Sunny Moraine
“Fishing” – Lavie Tidhar
“98 Ianthe” – Robert N. Lee
“Stealing My Sister’s Boyfriend” – Jordan Taylor
“The Metaphor of the Lakes” – Yarrow Paisley
“Romeo and Meatbox” – Alex Wilson
“Like Feather, Like Bone” – Kristi DeMeester
“Girl, With Coin” – Damien Walters Grintalis
“River, Dreaming” – Silvia Moreno-Garcia
“The Fairy Godmother” – Kim Neville
“We Were Never Alone in Space” – Carmen Maria Machado
“The Herdsman of the Dead” – Ada Hoffman
Jesus, what a fantastic lineup.
Me? I’m still recovering from Wiscon, which was really pretty fucking fantastic – I made a bunch of new friends and got to catch up with some old ones, my reading went really well, and I had a blast at my panels to the point where I think I’ll have to do a part 2 of my cyborg panel next year since there seems to be popular demand and we didn’t get to so much stuff, and of course I got my genderfloomp on – but it was also exhausting, and I think I’m feeling it now.
Case in point: I meant to do so much stuff today and all I did was novel edits and watching The Hunger Games and thinking about thinking about my dissertation. Friday I’m due to write a blog post for Cyborgology on the monetization of fandom, so I need to get my shit together by then.
aaaaaaah the summer is already running away and it’s not even June
I have cover art for Crowflight but I can’t share it publicly yet. You don’t even know how difficult that is.
So I’ve been yelling about this across various social media platforms, but here it is again:
I have signed the contracts for my dark fantasy novel Crowflight (which was formerly known as A Murder of Crows), which will be released in September by Masque/Prime Books.
Which is really very exciting except that now I have to go write the other books in the series.
Will update with more details when I have them.
The new issue of Ideomancer is up and free to read, and features my short piece of QUILTBAG eco-horror, “The Horse Latitudes”.
I love this story and have been looking for the perfect home for it for a while now, so it’s great to see it finally out in the big wide world.
Release Week for Line and Orbit is almost done, and oh, what a week it’s been. It’s been great to see people reading and reviewing on Goodreads, seeing what people are liking about the book, what’s striking a chord with people – it’s been so much fun. Those of you who have reviewed it already, thank you so much. Those of you who are reading now and come out of the experience pleased, the single best thing you can do for us is to leave a rating or a review, or to blog about it, or to otherwise spread the word, because word-of-mouth is what a book like this really needs.
But as we come out of this week and into the next, I find that what I’m really thinking about isn’t the present, but what’s coming next for this universe. Because yeah, I feel comfortable being very clear about this now: Sequels are in the works. (very mild spoilers for the first book below. hints, really, more than anything.)
Today, on the Feast of the Superb Owl, I got word that my shortish take on fairy tales and the Monstrous Feminine “To Increase His Wondrous Greatnesse More” is going to be published by Apex Magazine later this year. Which is happy-making.
What’s even more happy-making is that I’ve been feeling a little frustrated by my writing lately, and that Apex is one of those markets that I’d sort of wondered if I’d ever sell to. And hey, I have. And I also have chicken and chocolate chip cookies.
All hail the Superb Owl and her fearsome beak and catchsome claws.
Because New Year’s Eve is for self-promotion: Scheherazade’s Facade is now available in print. It’s been a long time in coming, a long and strange journey, and like all the best long and strange journeys it has a happy ending.
Good on ya, 2012. And good on ya, Michael M. Jones our editor, who believed in it and didn’t give up and basically made this thing happen through sheer force of will. Here’s a glass to him and to us all.
So I’ve been tagged in the Next Big Thing blog hop that’s been going around, by the marvelous Catherine Lundoff – who you should really be paying attention to. I just finished her novel Silver Moon and enjoyed it hugely (menopausal werewolves; you can’t imagine what a breath of fresh air that is).
So here’s me.