In which I’m seriously dorky about music and my writing

Okay, so while I procrastinate re: the Line and Orbit sequel (I should just really start calling it Fall and Rising, except I feel like L&O has more name recognition right now) I thought I’d post a couple songs that have been serving as mood-setters for a while now.

One of the dorky (see above) things I do when I’m writing something huge that I love is to find songs that could sort of serve as the “end titles” if what I were working on was a movie. I’ve had one for Line and Orbit for a while that I’ve been referring back to, and now I have one for Fall and Rising as well.

So, Line and Orbit:

M83 ft. Susanne Sundfor – Oblivion

This song is effing perfect, at least in my mind. I didn’t see the film and after reading the general review consensus I don’t much want to, but this song has it all: epic scope, soaring chorus, lyrics about night and stars, and this heartbreakingly lovely little solo piano coda. I can’t imagine any other piece of music serving as well.

Fall and Rising:

Young Beautiful in a Hurry and Bear McCreary – I Forever

Whereas Oblivion is sweeping and epic, this song is smaller and more intimate, which I feel like actually fits the book better. In many ways it’s a smaller, more intensely intimate book, though epic aspects are certainly still there. And I think those aspects are wonderfully captured by the elegant piano and strings, while the vocal pulls you in much closer. It’s also a love song that isn’t necessarily about romantic love, which I think serves to accommodate the range of different relationships I’m working with here.

So that’s it. I’m sure by the time the third as-yet-untitled book rolls around I’ll have something ready for it as well, and I’m sure I’ll be dorky when that happens too.

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