Category Archives: Science fiction

Love for saaaaaale–ebook re-release!

So a little while ago, my erotic dystopian Torquere Sip “We Are Such Stuff” went out of print and the rights reverted to me. It’s definitely not the best story I’ve ever written, but I have a certain fondness for it, so I went back through it, did a little editing and made a few minor changes, and I’m re-releasing it through Smashwords.

It originally sold for $1.99 but now you can have your very own spiffy DRM-free Smashwords edition in a wide variety of formats for only $.99.

Reyes is bored. A young man in a bleak future city of endless rain, he finds his entertainment in packed clubs, one-night stands, and the occasional drug. But when a mysterious young man catches his eye, he is led on a chase through a nighttime world of dreams and dreamers, a chase that could end in frustration… or a new kind of pleasure.

[HEY WHY DON'T YOU BUY ME]

And have an excerpt.

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WIP Wednesday: SF novel, “Hadeva”

 

So this is the second of my new twice-weekly posting schedule. This is the fun WIP part. On Monday I posted a fairly whiny piece on writing novel drafts and why they suck and I hate them a lot–the reason for this being that I’m currently in the sticky, gooey middle of the first draft of a novel, and it’s sucking and I’m hating it a lot. However, I know myself well enough to know that I shouldn’t trust my own take on things at this point in the process, so I’m going to choose to believe that the novel isn’t actually as bad as all that and post a short bit of it here.

The basic premise of the thing was inspired by a friend, who said that she wished that someone would write something about early Mars back when it was losing the remnants of its atmosphere and making the transition to the cold, (apparently) dead thing that it is today. I immediately thought “hey, I could do that,” and stupidly set out to try to do so. The result has–so far–been sort of like The Martian Chronicles by way of The Road, a story of the last survivors of a colonization attempt by an alien species, an attempt that, predictably, went horribly awry. The last generation of survivors–most of them, anyway–carry no clear memory of their homeworld, or of how they lived before their colony disintegrated into infighting and starvation. What they do carry are “ghosts”, the fragmentary memories and personalities of the people they have killed and eaten in a highly complex cannibalistic ritual referred to as “communion”. My idea is that this ritual arose as a way to combat the combined losses of culture, community, resources, and meaningful ties to the past. It does interesting things to the meaning of death on this version of Mars (called “Hadeva” by its inhabitants)–anyone may be killed and eaten at any time, for any reason, and people have very little cause to trust one another, though small isolated settlements still exist. But by the same token, slaughter and consumption are deeply meaningful, even respectful, and communities share their dead together. When someone is attacked and killed, they often take comfort in the fact that their killer will commune them and carry their memory. To die uneaten is the worst possible fate.

But not everyone practices communion. And while most have forgotten the stars from which they came, there are a few who still remember–and mean to return there. When Durja, my protagonist, stumbles upon a communication in the belongings of someone she’s killed and communed, it plants the idea of escape from the dying Hadeva in her mind, and pushes her across Mars’s freezing desert toward more danger than she ever imagined, and a choice more terrible than she ever dared to contemplate.

Anyway. Blurby blurbage. Here’s a bit. Rough, bear in mind.

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Hellebore & Rue in print: now available!

Hellebore & Rue: Tales of Queer Women and Magic is finally out in print–and available for free Prime shipping, if you’re a student/faculty member with an Amazon account.

Look at that cover goddamn. You know you want a piece of that.

And I need to see if DC-area contributors want to do a reading/event thing, because I feel like getting out there and stretching my promo legs after a shitty, shitty month. And I do love to read aloud.

For a short explanation of how my story “Thin Spun” came to be–and an excerpt of the same–see the post here.

“The Thick Night” now up at Strange Horizons

The subject line says it all: my sf short “The Thick Night” is now available to peruse for free on Strange Horizons.

This was actually a story that I wrote for an auction to support aid efforts in flood-stricken (at that time) Pakistan. A friend won me, and said she wanted to see something about gender and women and robots, which was something that we had been talking about anyway. Where Uganda came from, I’m not entirely sure, except that perhaps I just was having a hard time thinking of any other stories that had featured robots and androids in a non-Western setting–I know there are some, I just couldn’t think of any at the time–and it seemed like something that might make for an interesting time.

In the end, it was also a love story, a story about free will, a meditation on the failures of development and humanitarian aid, and an attempt to write explicitly about postcolonialism in a fictional setting… something that has been done many other times and done better than this, but I hope I did at least a passable job.

I’ve never been to Uganda (or anywhere in Africa), I’m extremely privileged, and I’m white as the driven snow. I made a sincere effort to get past these things and deal respectfully and intelligently with my subject matter. That said, I may have gotten some things wrong. I’m almost sure that I have. If so, cry pardon–I am always trying to do better than I did before.

Special thanks to Jed Hartman for being great to work with and really proving instrumental in pulling this thing into the best shape reasonably possible.

I hope people enjoy the story.

Hellebore and Rue: in print!

A tasty Eastery tidbit of news: you can now pre-order the print edition of Hellebore & Rue on Amazon if you want to. And you do want to. You know this.

Hell to the yeah. Thanks very much to Lethe Press for taking us on and putting out the dead tree edition.

New story now up at Kasma SF

So a couple of months ago, I was contacted by the editor of Kasma SF about writing a story to benefit queer youth–he had seen my thread in the Purple Dove Project and wanted to contract me in relation to that. The money went to The Trevor Project, and now the story is up over at Kasma.

For a Song. Post-apocalyptic slipstream. Fun with turns of phrase. I enjoyed writing it. Hope you enjoy reading.

Hellebore & Rue: On sale now!

So Hellebore & Rue: Tales of Queer Women and Magic is finally out, and I am super excited. Not only is it out, but at the moment you can pick it up in a variety of formats for 15% off the list price–or $8.49, down from $9.99. It features a fantastic variety of takes on a theme by some really wonderful authors; big kudos to our lovely and talented editors for assembling such a diverse lineup of great fiction.

My own piece, “Thin Spun”, is a prequel of sorts to Rosetta, the sf novel that I’ve co-written. As I’ve said before, one of the wonderful things about building Rosetta’s world was the number of other stories and characters that came out of it, largely independent of the central storyline. One of these stories has been published in the MSF benefit anthology Help: Twelve Tales of Healing, and this is another.

When I decided to sit down and try to write something for this anthology, I knew it would probably be something from the world of Rosetta, and I realized fairly quickly that I wanted to explore the backstory of one of our major secondary characters (and say a brief hello to yet another, as well as to one of our heroes). I honestly don’t want to say straight out who it is, because it ends up being a slight spoiler for Rosetta itself. But regardless, it was a lot of fun to watch that story unfold, and along the way I got to meet some new characters I didn’t expect, as well as get an even fuller picture of the world in which I’ve been spending a lot of the past year.

The title itself is from John Milton’s poem “Lycidas”, one small passage of which deals with the myth of the Moirae:

But the fair Guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind Fury with th’ abhorred shears,
And slits the thin spun life.

The Moirae are only referenced once in the story, but I think they maintain a kind of constant background presence in the persons of the Aalim–the scholar-sorceresses of the Bideshi, the nomadic interstellar tribe to which the main character Lakshmi belongs. Or used to belong. “Thin Spun” is the story of the choices that led to her leaving the Bideshi and of how she finally makes peace with those choices, in the course of helping a scared girl with a stolen spaceship.

Hope you enjoy. Excerpt under the cut.

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Hellebore & Rue – Out tomorrow!

Got my contributor’s copy of Hellebore & Rue last night, along with the news that it’ll be out tomorrow. I’ll be posting an excerpt of my story, at the very least, and watch for other promo goodness soon. I hear that our fabulous editors have some tasty things planned in that area.

We have a Faceboat page that you may wish to sail upon.

Finally, I will soon be making an announcement regarding my Super Secret Awesome Project of Win. Watch this space.

Icarus #7 – Now on sale

Winter, like all seasons, is a time of transformation. Glittering frost appears on windows overnight. Can you feel the chill in the air?

This issue has several stories that will contribute to your shivers, of delight and dread. Hauntology is a genre of music that combines voices from obsolete recording technology with modern electronics.

“Lonesome Road,” by Matt Cheney, is almost a literary version of hauntology, a different kind of ghost story—postmodern, but chilling all the same. Distant voices also play a role in Sunny Moraine’s “The Shapes of Shadows,” a mysterious tale of alien technology. Esoteric knowledge, lust and revenge spill through the pages of Alejandro Omidsalar’s “Abbadon’s First Rule,” a tale of horror and black comedy. And “Bargain Books” asks the question, is invisibility a blessing or a curse for gays? “Blue Moon,” this issue’s poem, shows that mothers don’t always know best. Plus an interview with Hal Duncan.

[click to buy]

You can preview the issue at the link above and it looks great. I’m really excited to read what else is in there. Plus, it just looks pretty, doesn’t it? It’s also a couple dollars off the regular list price, so pick up a copy while that lasts.

The story in question was a lot of fun to write. Most of what I write is fun in one way or another–I wouldn’t do it if that weren’t the case–but this one was a little different in that it contains some twists and turns that actually surprised me a bit as I was writing. The alien technology in particular took some thinking around corners; I wasn’t sure exactly how it was going to work or how it was going to tie all the themes together until the idea of shadows came to me, the transient quality of light coupled with the near-eternal nature of stars… though, as Gordon dreams, even stars have lives, and even those lives come to an end.

I was also taken with the idea of technology that was at once profoundly ancient and profoundly advanced, that blended technology and culture in ways that can’t be untangled, and that contained flavors of what we on Earth would recognize from dead civilizations, while still being deeply alien.

Finally, I was thinking about how we all want to leave things behind that will long-outlast us. Monoliths, words carved into stone, enormous shapes in the landscape that can only be seen from high in the air, and the dangerously ephemeral nature of our own increasingly digital record-keeping. What do we remember? How do we remember it? If we forget or vanish, who does our remembering for us?

Enjoy.

MSF benefit anthology release

News: the Medecins Sans Frontieres benefit anthology I’m in is out.


Help: Twelve Tales of Healing

My story, Starcrossed, features Ying, who is a secondary character in the sf novel that I’ve co-written. Ying is a healer, and as the story begins she has just crawled out of her crashed ship. She didn’t just crash; she was shot down, and her attacker is in even worse shape than she is. What happens next tests whether they can trust each other at all, and brings some painful truths to light.

All profits go to MSF. Please consider picking up a copy.

Have an excerpt.

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