So this is the second of my new twice-weekly posting schedule. This is the fun WIP part. On Monday I posted a fairly whiny piece on writing novel drafts and why they suck and I hate them a lot–the reason for this being that I’m currently in the sticky, gooey middle of the first draft of a novel, and it’s sucking and I’m hating it a lot. However, I know myself well enough to know that I shouldn’t trust my own take on things at this point in the process, so I’m going to choose to believe that the novel isn’t actually as bad as all that and post a short bit of it here.
The basic premise of the thing was inspired by a friend, who said that she wished that someone would write something about early Mars back when it was losing the remnants of its atmosphere and making the transition to the
cold, (apparently) dead thing that it is today. I immediately thought “hey, I could do that,” and stupidly set out to try to do so. The result has–so far–been sort of like The Martian Chronicles by way of The Road, a story of the last survivors of a colonization attempt by an alien species, an attempt that, predictably, went horribly awry. The last generation of survivors–most of them, anyway–carry no clear memory of their homeworld, or of how they lived before their colony disintegrated into infighting and starvation. What they do carry are “ghosts”, the fragmentary memories and personalities of the people they have killed and eaten in a highly complex cannibalistic ritual referred to as “communion”. My idea is that this ritual arose as a way to combat the combined losses of culture, community, resources, and meaningful ties to the past. It does interesting things to the meaning of death on this version of Mars (called “Hadeva” by its inhabitants)–anyone may be killed and eaten at any time, for any reason, and people have very little cause to trust one another, though small isolated settlements still exist. But by the same token, slaughter and consumption are deeply meaningful, even respectful, and communities share their dead together. When someone is attacked and killed, they often take comfort in the fact that their killer will commune them and carry their memory. To die uneaten is the worst possible fate.
But not everyone practices communion. And while most have forgotten the stars from which they came, there are a few who still remember–and mean to return there. When Durja, my protagonist, stumbles upon a communication in the belongings of someone she’s killed and communed, it plants the idea of escape from the dying Hadeva in her mind, and pushes her across Mars’s freezing desert toward more danger than she ever imagined, and a choice more terrible than she ever dared to contemplate.
Anyway. Blurby blurbage. Here’s a bit. Rough, bear in mind.
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